1860
CITY AFFAIRS
Consecration of
The Synagogue is not of imposing dimensions. On the contrary its proportions are quite moderate, even with the present addition of some thirty feet to its length, but it is nevertheless one of the prettiest places of worship in the city. Its decoration are in good taste; its pews, furniture, carpeting, stucco work, &c., neat and durable. The main body of the building (as is the case with all Synagogues) is set apart for the men. The galleries, extending along three sides of the house, is appropriated to the women. In both places pews are arranged for the accommodation of worshippers, space for each person in them being numbered and seats let singly for the year. Four rows of pews commence at the entrance, or front of the church, and extend as far as the middle, where a comparatively open space is formed immediately in front of the ark. On each side of this space a row of pews is continued till within a few feet of the extreme end of the building. Within the space left in the centre of the building, the desk, handsomely draped in purple velvet with bullion bordering, is raised. In front of the desk a number of semi-circular benches are placed for the accommodation of the choir, who face the ark and pulpit stand.
The ark itself is built up the extreme end of the synagogue and rests upon a broad, spacious platform, approached by a short flight of steps, commencing a few feet from the choristers’ seats. It is the first thing that catches the eye upon entering the building. In shape it somewhat resembles the Corinthian portico of a large mansion. The columns adorning its front are fluted and touched with gilding. The capitols of each column are elaborately wrought and tastefully gilded, and contribute greatly to the effect of the work. A beautiful purple velvet curtain, on which a single crown is wrought in gold, with olive branches relieving it, hides the interior of the sacred place from view. Upon the top of all is placed a stain glass representation of the two tablets delivered to Moses on
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